Empty Space In Red, Yellow & Blue, by Milieu

Empty Space In Red, Yellow & Blue

by Milieu

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Assembled by hand, one copy at a time, in the White Pillar Workshop! Just for you, this clean white 5" recordable disc is etched via the laser-arm of a D20 duplication machine, kissed with ink and placed snugly inside a white cardboard jacket bearing a custom vintage 3.5mm floppy disk label (retrieved from the deep archives of forgotten office supplies in a Daytonian warehouse) on the front cover, informing you in a clear and concise way which broadcast you're listening to. Almost all of the CD-R editions of the Vibratelepathos material have been edited for runtime to fit on a CD-R, but between you and I, it's really hard to tell the difference!

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Empty Space In Red, Yellow & Blue 02:29:45

about

The eighth ANTIVIRAL BROADCAST is a 2.5 hour session called EMPTY SPACE IN RED, YELLOW & BLUE, created using a complex signal chain that begins with feedback and ends in beautiful glassy tones, reminiscent of FM synthesizers and some of my favorite recordings by Alvin Lucier.

To begin, RYB was created by wiring up an SSM-1750 Optimus mixer (built and sold by Radio Shack in 1995) into a feedback loop between the mixer's input channels, the mixer's output, and a Nady MM14-FX mixer between the two, to provide additional amplification and modulation via the Nady's built-in analog delay. Careful shaping of the feedback tones was done via the SSM's onboard three-band equalizer, and this output was then routed to a Peavey FX2 mixing desk, where it was multed out to multiple channels, each being processed individually to play back the feedback tones at a different relative pitch. This meant that whatever the input signal did on the SSM, polyphonic forms would fall into place around it, and remain in tune no matter how the initial pitch deviated. Further individual channel processing allowed for these pitches to play back at different staggered rates, and low-pass filtering via a Moogerfooger was also applied to tame many of the high frequencies and noise. The final full mix was sent into a Roberts 450A reel to reel tape machine (using a custom cut tape loop) for an additional layer of analog congealing, and then to a modest modular synthesizer rig (which utilized spectral processing inside Mutable Inst. Clouds) before being recorded digitally and cleaned up within a DAW.

credits

released June 16, 2020

W/P by Brian Grainger. Recorded at White Pillar, May-June 2020. Mastered by The Analog Botanist. Text and design by ABM&D. This is Milieu Music number AVB8, 8th in the Vibratelepathic Antiviral Broadcast series. www.milieu-music.com / www.analogbotany.com

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Vibratelepathic Antiviral Broadcasts Dayton, Ohio

Explorations in generative music, ambient synthesis and audioholistics.

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